Piero della Francesca
Italian painter and mathematician (c. 1416–1492)
Piero della Francesca (/ˌpjɛəroʊ ˌdɛlə frænˈtʃɛskə/,[2] US also /- frɑːnˈ-/,[3][4] Italian: [ˈpjɛːro della franˈtʃeska] (listen); né Piero di Benedetto; c. 1415[1] – 12 October 1492) was an Italian Renaissance painter from the Early Renaissance. He was also a mathematician and geometer.[5] Piero della Francesca is famous for his art. His paintings usually used lots of humanism, geometry, perspective. His most famous work is the cycle of frescoes The History of the True Cross.
Piero della Francesca | |
---|---|
Born | Piero di Benedetto c. 1415[1] |
Died | 12 October 1492 Sansepolcro, Republic of Florence | (aged 76–77)
Nationality | Italian |
Known for | Painting, Fresco |
Notable work | The Baptism of Christ Flagellation of Christ Brera Madonna |
Movement | Early Renaissance |
Famous works
change- Polyptych of the Misericordia (1445–62) – Tempera and oil on panel, 273 x 330 cm, Museo Civico Sansepolcro
- The Baptism of Christ (c. 1448–50) – Tempera on panel, 168 × 116 cm, National Gallery, London
- St. Jerome in Penitence (c. 1449–51) – Tempera on panel, 51 × 38 cm, Staatliche Museen, Berlin
- St. Jerome and a Donor (Girolamo Amadi) (1451) – Tempera and oil on panel, 49 × 42 cm, Gallerie dell'Accademia, Venice
- Sigismondo Pandolfo Malatesta Praying in Front of St. Sigismund (1451) – Fresco (transferred to canvas), 257 x 345 cm, Tempio Malatestiano, Rimini
- Portrait of Sigismondo Pandolfo Malatesta (c. 1451) – Tempera and oil on panel, 44.5 × 34.5 cm, Musée du Louvre, Paris
- The History of the True Cross (c. 1455–66) – Fresco cycle, Basilica of San Francesco, Arezzo
- The Flagellation of Christ (c. 1460) – Tempera on panel, 58.4 x 81.5 cm, Galleria Nazionale delle Marche, Urbino
- Polyptych of Saint Augustine (1460–70) – Tempera and oil on panels, dispersed in several museums
- Resurrection (c. 1463) –Fresco, 225 × 200 cm, Museo Civico Sansepolcro
- Hercules (c. 1465) –Fresco (detached), 151 × 126 cm, Isabella Stewart Gardner Museum, Boston
- St. Mary Magdalene (c. 1466, 1458–70s) – Fresco, 190 × 180 cm, Cathedral, Arezzo
- Madonna del Parto (1459–67) – Detached fresco, 260 × 203 cm, Chapel of the cemetery, Monterchi
- The Nativity (c. 1470) – Oil on panel, 124.5 × 123 cm, National Gallery, London
- Polyptych of Saint Anthony (c. 1470) – Oil on panel, 338 × 230 cm, Galleria Nazionale dell'Umbria, Perugia
- Brera Madonna, i.e. Montefeltro Altarpiece, (1472–74) – Oil on panel, 248 × 170 cm, Pinacoteca di Brera, Milan
- Diptych of the Count and Countess of Urbino, Federico da Montefeltro and Battista Sforza – Oil on panel, each 47,4 × 33,6 cm, Galleria degli Uffizi, Florence.
- Madonna di Senigallia (c. 1474) – Oil on panel, 67 × 53.5 cm, Galleria Nazionale delle Marche, Urbino
References
change- ↑ 1.0 1.1 Turner, A. Richard (1976). "Piero della Francesca". In William D. Halsey (ed.). Collier's Encyclopedia. Vol. 19. New York: Macmillan Educational Corporation. pp. 40–42.
- ↑ "Piero della Francesca". Oxford Dictionaries UK English Dictionary. Oxford University Press.[dead link]
- ↑ "Piero della Francesca". The American Heritage Dictionary of the English Language (5th ed.). Boston: Houghton Mifflin Harcourt. Retrieved 31 May 2019.
- ↑ "Piero della Francesca". Merriam-Webster Dictionary. Retrieved 31 May 2019.
- ↑ Vasari, Giorgio, Lives of the Most Excellent Painters, Sculptors, and Architects, 1568.
Sources
changeFurther reading
change- Banker, James R., Piero della Francesca: Artist and Man, Oxford University Press, 2014,
- Berenson, Bernard, Piero della Francesca or The Ineloquent in Art, New York: The Macmillan Company, 1954.
- Chieli, Francesca, "La grecità antica e bizantina nell'opera di Piero della Francesca", Firenze, 1993.
- Christiansen, Keith, Piero Della Francesca: Personal Encounters, The Metropolitan Museum of Art, New York, 2013. With contributions by Roberto Belluci, Cecilia Frosinini, Anna Pizzati, and Chiara Rossi Scarzanella. ISBN 978-1-58839-529-0.
- Clark, Kenneth, Piero della Francesca. Phaidon Publishers. First ed. 1951, second ed. 1969.
- Cole, Bruce, Piero della Francesca: Tradition and Innovation in Renaissance Art, HarperCollins Publishers, 1991. ISBN 0-06-430906-1.
- Damisch, Hubert, Un souvenir d'enfance par Piero della Francesca, Edition du Seuil, Paris, 1997; Engl. ed.: A Childhood Memory by Piero della Francesca, Stanford University Press, 2007. ISBN 0-8047-3442-9.
- Ginzburg, Carlo, Indagini su Piero, Eunaudi, Torino, 1982; Engl. ed.: The Enigma of Piero: Piero della Francesca, Verso, 1985, new edition 2002. ISBN 1-85984-378-6.
- Hendy, Philip, Piero Della Francesca and the Early Renaissance, New York: Macmillan, 1968, and London: Weidenfeld & Nicolson, 1968.
- Israëls, Machtelt Brüggen, Piero della Francesca and the Invention of the Artist, Reaktion Books, 2020. ISBN 978-1789143218.
- Kaiser, Walter, "The Noble Dreams of Piero", The New York Review of Books, March 21, 2013. Review of Silver, Nathaniel E., Piero della Francesca in America and the exhibition at the Frick Collection that it accompanied.
- Lavin, Marilyn Aronberg, Piero della Francesca: San Francesco, Arezzo, New York: George Braziller, 1994.
- Lightbown, Ronald, Piero della Francesca, Abbeville Press, 1992. ISBN 978-1558591684.
- Longhi, Roberto, Piero de' Franceschi, Rom, 1927; Engl. ed. translated by Leonard Penlock: Piero della Francesca, F. Warne & Co., London and New York, 1930; new ed. with expansions until 1962, 1963 translation by David Tabbat: Sheep Meadow, 2002. ISBN 1-878818-77-5.
- Maetzke, Anna Maria, ed., Piero della Francesca: The Legend of the True Cross in the Church of San Francesco in Arezzo, with Giovanna Melandri, Stefano Casciu, and Carla Corsi. Skira, 2000. ISBN 88-8118-829-5.
- Maetzke, Anna Maria; Bertelli, Carlo, eds., Piero della Francesca: The Legend of the True Cross in the Church of San Francesco in Arezzo, texts by Marilyn Aronberg Lavin et al. Skira, 2001. ISBN 978-8884910233.
- Manescalchi, Roberto, L'Ercole di Piero, tra mito e realtà,(ParteI), Grafica European Center of Fine Art (Terre di Piero), Firenze, 2011. ISBN 978-88-95450-05-6
- Manescalchi, Roberto, "Piero alla corte dei Pichi", in Studi e Documenti Pierfrancescani II, Sansepolcro 2014. ISBN 978-8895450445
- Meiss, Millard, "A Documented Altarpiece by Piero della Francesca", The Art Bulletin, Vol. 23 (March 1941), pp. 53-68; reprinted with alterations and additions in Millard Meiss, The Painter's Choice: Problems in the Interpretation of Renaissance Art, Harper and Row, 1976, pp. 82-104.
- Pacioli, Luca, Libellus de quinque corporibus regularibus, corredato della versione volgare [fac-sim du Codice Vat. Urb. Lat. 632]; eds. Cecil Grayson,... Marisa Dalai Emiliani, Carlo Maccagni. Firenze, Giunti, 1995. 3 vol. (68 ff., XLIV-213, XXII-223 pp.). ISBN 88-09-01020-5
- Piero's Archimedes, [fac-sim du Codice Riccardiano 106 par Piero della Francesca]; eds. Roberto Manescalchi, Matteo Martelli, James Banker, Giovanna Lazzi, Pierdaniele Napolitani, Riccardo Bellè. Sansepolcro, Grafica European Center of Fine Arts e Vimer Industrie Grafiche Italiane, 2007. 2 vol. (82 ff., XIV-332 pp. English, French, Spanish, German, Italian and Arabic). ISBN 978-88-95450-25-4.
- Pope-Hennessy, John, The Piero della Francesca Trail, Walter Neurath Memorial Lectures, Thames and Hudson, London, 1991; new ed. expanded with Aldous Huxley, "The Best Picture", The Little Bookroom, 2002. ISBN 1-892145-13-8.
- Rossetti, William Michael (1911). . Encyclopædia Britannica. Vol. 10 (11th ed.). p. 930.
- Silver, Nathaniel E., Piero della Francesca in America: From Sansepolcro to the East Coast, with essays by James R. Banker and Machtelt Israëls, and an appendix by Giacomo Guazzini and Elena Squillantini. New York: Frick Collection, 2013. Catalogue for exhibition of the same name listed in "External links".
Other websites
change- Media related to Piero della Francesca at Wikimedia Commons
- "The Art of Piero della Francesco", Lecture by Machtelt Brüggen Israëls at The Frick Collection, November 20, 2019.
- "Piero della Francesca in America", exhibition at The Frick Collection, February 12, 2013 to May 19, 2013.
- "Featured Catalogue—Interview with the Curator: Keith Christiansen", Metropolitan Museum of Art, March 5, 2014.